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Base Mérimée: Monuments historiques · France

Chapelle Notre-Dame de Trémalo

Pont-Aven, Finistère, France

The record

Designation
Historic monument, registered (inscrit)
Protection
inscrit MH
Extent of protection
Chapelle de Trémalo, à Nizon (cad. C 563) : inscription par arrêté du 11 mai 1932
Protection dates
1932/05/11 : inscrit MH
Type
chapelle
Main period of construction
15e siècle, 16e siècle
Ownership
propriété privée
Lieu-dit
Trémalo Penanros
Commune
Pont-Aven
Département
Finistère
Region
Bretagne
Country
France
Coordinates
47.86110, -3.75072
Mérimée reference
PA00090288

Slide toward Today to fade the historical sheet and see the modern map underneath.

David Rumsey Map Collection, Stanford Libraries

5 historical maps cover this location, the earliest the 1750 map "Composite 7: Carte de France." (David Rumsey Map Collection, Stanford Libraries).

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This record on the Ministère de la Culture's POP platform ↗

The Ministère de la Culture's notice

De plan rectangulaire, la chapelle semble remonter au 15e siècle. Au début du 16e siècle, des fenêtres de type flamboyant, plus grandes que celles de l'édifice primitif, et encadrées de pignons, furent ouvertes sur la muraille sud. Un petit clocheton à jour s'élève sur le pignon occidental, surmonté par une flèche gothique. La nef, doublée de bas-côtés, est divisée en six travées par des arcades gothiques. Poutres et sablières sont sculptées de figures de grotesques représentant, entre autre, les péchés capitaux. Le crucifix en bois polychrome a servi d'inspiration à Gauguin qui l'a représenté sur deux de ses toiles (Le Christ Jaune ; Portrait de l'artiste au Christ Jaune).

English translation

The text above is the record as published by the Ministère de la Culture, in French. The English below is a machine translation made by TreeAlive, not by the Ministère de la Culture; it has not been checked by a person. Where the two differ, the original is the record. Report a translation error: privacy@treealive.com

Of rectangular plan, the chapel appears to date from the 15th century. At the beginning of the 16th century, windows of flamboyant type, larger than those of the primitive building, and framed by gables, were opened in the south wall. A small open bell turret rises on the western gable, topped by a Gothic spire. The nave, doubled by aisles, is divided into six bays by Gothic arcades. Beams and sill beams are carved with figures of grotesques representing, among others, the seven deadly sins. The polychromatic wooden crucifix inspired Gauguin who represented it on two of his canvases (The Yellow Christ; Portrait of the artist with the Yellow Christ).

Nearby in the register

Other entries of the same register within about three miles of this one, by straight line.

Base Mérimée, Ministère de la Culture, data last updated 2026-09-17, reused under the Licence Ouverte / Open Licence 2.0 (Etalab). Record text is reproduced unchanged. Ministère de la Culture · Licence Ouverte 2.0
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