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Base Mérimée: Monuments historiques · France

Chapelle des Pénitents blancs ou chapelle Notre-Dame-des-Sept-Douleurs

Peillon, Alpes-Maritimes, France

The record

Designation
Historic monument, classified (classé)
Protection
classé MH
Extent of protection
Chapelle (cad. A 463) : classement par arrêté du 27 mars 2000
Protection dates
2000/03/27 : classé MH
Type
chapelle
Main period of construction
4e quart 15e siècle
Later work
16e siècle, 17e siècle
Architect or builder
CANAVESIO Giovanni (peintre)
Ownership
propriété de la commune
Commune
Peillon
Département
Alpes-Maritimes
Region
Provence-Alpes-Côte d'Azur
Country
France
Coordinates
43.77884, 7.38141
Mérimée reference
PA00080814

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IGN France — Géoportail

5 historical maps cover this location, the earliest the 1690 map "Il Corso del Fiume Rodano" (David Rumsey Map Collection, Stanford Libraries).

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This record on the Ministère de la Culture's POP platform ↗

The Ministère de la Culture's notice

Modeste chapelle bâtie dans le dernier quart du 15e siècle, elle a fait l'objet de remaniements importants aux 16e et 17e siècles (notamment la nef et la sacristie). La nef, sans doute charpentée à l'origine, est maintenant couverte d'un berceau à lunettes. Le choeur, voûté en berceau plein cintre, avait été décoré dès 1490 d'un ensemble de peintures murales à la détrempe. Ce décor, non modifié ultérieurement, peut être attribué à Giovanni Canavesio, peintre piémontais actif dans les Alpes du Sud dans le dernier quart du 15e siècle. Le thème principal est la Passion du Christ ; on trouve également quelques représentations de saints.

English translation

The text above is the record as published by the Ministère de la Culture, in French. The English below is a machine translation made by TreeAlive, not by the Ministère de la Culture; it has not been checked by a person. Where the two differ, the original is the record. Report a translation error: privacy@treealive.com

Modest chapel built in the last quarter of the 15th century, it was subject to important alterations in the 16th and 17th centuries (in particular the nave and the sacristy). The nave, doubtless originally timber-roofed, is now covered with a barrel vault with lunettes. The choir, vaulted with a round arch barrel vault, had been decorated from 1490 onwards with a set of distemper mural paintings. This decoration, unmodified subsequently, can be attributed to Giovanni Canavesio, a Piedmontese painter active in the Southern Alps in the last quarter of the 15th century. The main theme is the Passion of Christ; there are also a few representations of saints.

Nearby in the register

Other entries of the same register within about three miles of this one, by straight line.

Base Mérimée, Ministère de la Culture, data last updated 2026-09-17, reused under the Licence Ouverte / Open Licence 2.0 (Etalab). Record text is reproduced unchanged. Ministère de la Culture · Licence Ouverte 2.0
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